000			01749cam a2200301zu 4500
001			88913010
003			FRCYB88913010
005			20250107174006.0
006			m o d
007			cr un
008			250107s2021 fr | o|||||0|0|||eng d
020			_a9783631844274
035			_aFRCYB88913010
040			_aFR-PaCSA _ben _c _erda
100	1		_aGolab, Maciej
245	0	1	_aFesta and Music at the Court of Marie Casimire Sobieska in Rome (1699–1714) _c['Golab, Maciej', 'Burzynski, Jan', 'Markuszewska, Aneta']
264		1	_bPeter Lang _c2021
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aGolab, Maciej
700	0		_aBurzynski, Jan
700	0		_aMarkuszewska, Aneta
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88913010 _qtext/html _a
520			_aPolish queen Marie Casimire Sobieska, French by birth, left the Polish-Lithuanian Commonwealth after the death of her husband king John III and settled in Rome in 1699. Supported by her son, Prince Aleksander Sobieski, the queen dowager created at her Roman residence in Palazzo Zuccari one of Rome’s most important opera theatres. She used music and drama to uphold her social status and political plans, satisfy her aesthetic needs, and provide entertainment for the granddaughter under her care, along with her ever more ailing son. This is the first monograph about Sobieska’s music patronage. The book describes works by such eminent artists as Carlo S. Capece, Filippo Juvarra, and Domenico Scarlatti, along with the atmosphere of Rome of that time, the sociopolitical role of the festa, and the music theatre genres it employed.
999			_c50270 _d50270