000 | 01386cam a2200313 4500500 | ||
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005 | 20250121092439.0 | ||
041 | _afre | ||
042 | _adc | ||
100 | 1 | 0 |
_aCarel, Marion _eauthor |
700 | 1 | 0 |
_a Ribard, Dinah _eauthor |
245 | 0 | 0 | _aSinging as a form of political action |
260 | _c2021. | ||
500 | _a62 | ||
520 | _aTaking two case studies (Jean-Baptiste Clément’s “La Semaine sanglante,” first printed in 1885, and “J’ai le Cafard,” composed by Alima during the 1975 campaign and occupation of a church in Lyon by sex workers), we develop the idea that singing is a form of expression which, by making use of the words of others, enables political participation. This thesis has implications both for the linguistic theory of illocutionary acts, and for the historical analysis of the events in which songs have played a part. | ||
690 | _aaction | ||
690 | _ahistory | ||
690 | _aillocution | ||
690 | _asinging | ||
690 | _aexpression | ||
690 | _aargumentation-based semantics | ||
690 | _aaction | ||
690 | _ahistory | ||
690 | _aillocution | ||
690 | _asinging | ||
690 | _aexpression | ||
690 | _aargumentation-based semantics | ||
786 | 0 | _nLangage et société | o 174 | 3 | 2021-11-16 | p. 33-54 | 0181-4095 | |
856 | 4 | 1 | _uhttps://shs.cairn.info/journal-langage-et-societe-2021-3-page-33?lang=en&redirect-ssocas=7080 |
999 |
_c514043 _d514043 |