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041 _afre
042 _adc
100 1 0 _aCarel, Marion
_eauthor
700 1 0 _a Ribard, Dinah
_eauthor
245 0 0 _aSinging as a form of political action
260 _c2021.
500 _a62
520 _aTaking two case studies (Jean-Baptiste Clément’s “La Semaine sanglante,” first printed in 1885, and “J’ai le Cafard,” composed by Alima during the 1975 campaign and occupation of a church in Lyon by sex workers), we develop the idea that singing is a form of expression which, by making use of the words of others, enables political participation. This thesis has implications both for the linguistic theory of illocutionary acts, and for the historical analysis of the events in which songs have played a part.
690 _aaction
690 _ahistory
690 _aillocution
690 _asinging
690 _aexpression
690 _aargumentation-based semantics
690 _aaction
690 _ahistory
690 _aillocution
690 _asinging
690 _aexpression
690 _aargumentation-based semantics
786 0 _nLangage et société | o 174 | 3 | 2021-11-16 | p. 33-54 | 0181-4095
856 4 1 _uhttps://shs.cairn.info/journal-langage-et-societe-2021-3-page-33?lang=en&redirect-ssocas=7080
999 _c514043
_d514043