000			01853cam a2200289 4500500
005			20250121093018.0
041			_afre
042			_adc
100	1	0	_aKhomsi, Mohamed Reda _eauthor
700	1	0	_a Delisle, Marie-Andrée _eauthor
245	0	0	_aCreative tourism in the face of local specificities: The case of Montreal and Marrakesh
260			_c2023.
500			_a11
520			_aIn a context where tourists are looking for alternative forms of experiences that are more authentic and closer to the vernacular characteristics of the area, creative tourism seems to be a preferred option given the significant number of destinations classed as creative since the early 2000s. However, the concept of a creative tourism destination remains unclear and refers to very diverse realities. The present article therefore explores this concept based on research on the creative city by highlighting the role of players in the construction of a creative city/destination project. To do so, we compare two destinations that are a priori very different, Montreal and Marrakesh. The results show that, despite the very specific contexts of each of the two destinations, underground players are often the instigators of creative activities, while those of the middleground and upperground mainly play the role of facilitators and promoters of these activities.
690			_aMarrakesh
690			_astakeholders
690			_acreative city
690			_aMontreal
690			_acreative destination
690			_aMontréal
690			_aMarrakech
690			_aCreative city
690			_aStakeholders
690			_aCreative destination
786	0		_nMarché et organisations | o 47 | 2 | 2023-05-12 | p. 45-72 | 1953-6119
856	4	1	_uhttps://shs.cairn.info/journal-marche-et-organisations-2023-2-page-45?lang=en&redirect-ssocas=7080
999			_c515237 _d515237