| 000 | 00924cam a2200157 4500500 | ||
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| 005 | 20250121095846.0 | ||
| 041 | _afre | ||
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| 100 | 1 | 0 |
_aSzaniecki, Barbara _eauthor |
| 245 | 0 | 0 | _aThe Overall Apparatus of the Image |
| 260 | _c2011. | ||
| 500 | _a91 | ||
| 520 | _aThis article offers an analysis of the global “dispositif” of the image that can be either a predator or a total open space to the power of invention. Beyond the formalist theories of modernism which claimed autonomy of art, it is now possible to think hybridizations arts & media as a possible site of struggle to transform the ambiguities of the “dispositif” into emancipatory potential for greater collaboration in image creation—or wik’images. | ||
| 786 | 0 | _nMultitudes | o 44 | 1 | 2011-03-17 | p. 193-197 | 0292-0107 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-multitudes-2011-1-page-193?lang=en&redirect-ssocas=7080 |
| 999 |
_c521353 _d521353 |
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