000			01983cam a2200289zu 4500
001			88922053
003			FRCYB88922053
005			20250107180218.0
006			m o d
007			cr un
008			250107s2021 fr | o|||||0|0|||eng d
020			_a9781789973914
035			_aFRCYB88922053
040			_aFR-PaCSA _ben _c _erda
100	1		_aWasensteiner, Lucy
245	0	1	_aSites of Interchange _bModernism, Politics and Culture between Britain and Germany, 1919–1955 _c['Wasensteiner, Lucy', 'Weikop, Christian']
264		1	_bPeter Lang _c2021
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aWasensteiner, Lucy
700	0		_aWeikop, Christian
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88922053 _qtext/html _a
520			_aEarly twentieth-century Germany was a site of extremes, in which cultural production was entangled in the swiftly changing political and economic landscape. Radical utopias and pragmatic solutions for life and culture were proposed, modernism embraced and dramatically rejected. Britain in the same period can seem comparatively stable, a nation wedded to established cultural forms in the face of social change. Yet throughout the period, there remained a lively interchange between the two countries. This collection of essays, by scholars working between Britain and Germany, elsewhere in Europe and in North America, looks anew at the complicated cultural relationship between Britain and Germany in the years between 1919 and 1955. It sets out to explore the connections between the two countries during this time in the fields of fine art and arts institutions, architecture, design and craft, photography, art history and criticism. It explores how practitioners in the two countries learned from and influenced each other, seeking to highlight the relevance of these interchanges today.
999			_c52219 _d52219