| 000 | 01091cam a2200157 4500500 | ||
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| 005 | 20250121101223.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aTrentini, Bruno _eauthor |
| 245 | 0 | 0 | _aFraming the Attitude of the Spectator: An Aesthetic Constraint |
| 260 | _c2012. | ||
| 500 | _a64 | ||
| 520 | _aAccessing the mode of production of the work of art is in some cases a necessity for esthetic appreciation: as if the framing of work would allow a framing of the attitude of the spectator without which aesthetic experience could not exist. From the study of a series of René Magritte’s paintings compared with contemporary works, poetic constraint is broached for the strategic and programmatic qualities of the reception of the work: a reception which would be impossible without the latter because the spectator would not know what attitude to adopt to the work. | ||
| 786 | 0 | _nNouvelle revue d’esthétique | o 9 | 1 | 2012-06-01 | p. 55-62 | 2264-2595 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2012-1-page-55?lang=en&redirect-ssocas=7080 |
| 999 |
_c523968 _d523968 |
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