000			01801cam a2200289zu 4500
001			88924194
003			FRCYB88924194
005			20250107180728.0
006			m o d
007			cr un
008			250107s2022 fr | o|||||0|0|||eng d
020			_a9781800796263
035			_aFRCYB88924194
040			_aFR-PaCSA _ben _c _erda
100	1		_aFitzpatrick, Lisa
245	0	1	_a‘I love craft. I love the word’ _bThe Theatre of Deirdre Kinahan _c['Fitzpatrick, Lisa', 'Kurdi, Maria']
264		1	_bPeter Lang _c2022
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aFitzpatrick, Lisa
700	0		_aKurdi, Maria
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88924194 _qtext/html _a
520			_aOver the last twenty years Deirdre Kinahan has emerged as a significant and original female voice in Irish theatre, with her plays produced in Ireland, the UK, the USA and across mainland Europe. Her work explores issues of personal and communal identity, bringing forward the difficulties that arise for individuals when accepted narratives of identity diverge from contemporary experience. In this collection of ten original essays, and an interview with the playwright, the authors address the ways in which Kinahan’s plays interrogate and seek to renegotiate value systems of family, class, ethnicity, age and gender in the 21st century neoliberal, secular state, with an emphasis on experimental forms and the renewal of the genre of the family play. Theoretical frameworks rely on feminism, intersectionality, genre studies, and age studies, among other approaches, by authors from Ireland, the UK, Hungary, the USA, Nigeria, Canada and Taiwan.
999			_c52675 _d52675