000			01622cam a2200289zu 4500
001			88931250
003			FRCYB88931250
005			20250107182318.0
006			m o d
007			cr un
008			250107s2022 fr | o|||||0|0|||eng d
020			_a9783631874783
035			_aFRCYB88931250
040			_aFR-PaCSA _ben _c _erda
100	1		_aGolab, Maciej
245	0	1	_aMusical Humor and Antonín Dvorák’s Comic Operas _c['Golab, Maciej', 'Adams, Julia']
264		1	_bPeter Lang _c2022
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aGolab, Maciej
700	0		_aAdams, Julia
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88931250 _qtext/html _a
520			_aAntonín Dvorák was a clever and highly communicative humorist and musical dramatist. His masterful compositional strategies underscore, heighten, and construct sonic humor in his six (!!) comic operas. He crafts musical slapstick, satire, parody, and merriment using sudden breaks in rhythmic patterns, explosive harmonic shifts, excessive repetition, and startling pauses, as well as incongruous tempi, dynamics, range, and instrumentation. Dvorák also gives the orchestra its own "voice," breaking the metaphorical "fourth wall" to reveal humor outside of the characters' awareness. Narrative description and comprehensive music examples guide the reader through all six of Dvorák's works in this genre, revealing a significantly under-appreciated side of the composer's immense creative skills.
999			_c54056 _d54056