000			01859cam a2200277zu 4500
001			88933853
003			FRCYB88933853
005			20250107183125.0
006			m o d
007			cr un
008			250107s2011 fr | o|||||0|0|||eng d
020			_a9781847874351
035			_aFRCYB88933853
040			_aFR-PaCSA _ben _c _erda
100	1		_aBrabazon, Tara
245	0	1	_aPopular Music _bTopics, Trends & Trajectories _c['Brabazon, Tara']
264		1	_bSAGE Publications _c2011
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aBrabazon, Tara
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88933853 _qtext/html _a
520			_aAn incredibly wide-ranging critical account of popular music. The book is an essential resource for all staff and students in the field' - John Storey, Centre for Research in Media and Cultural Studies, University of Sunderland Organized in accessible sections and covering the main themes of research and teaching it examines: • The key approaches to understanding popular music • The main settings of exchange and consumption • The role of technology in the production of popular music • The main genres of popular music • The key debates of the present day Barbazon writes with verve and penetration. Her approach starts with how most people actually consume music today and transfers this onto the plain of study. The book enables teachers and students to shuffle from one topic to the other whilst providing an unparalleled access the core concepts and issues. As such, it is the perfect study guide for undergraduates located in this exciting and expanding field. Tara Brabazon is Professor of Communication at University of Ontario Institute of Technology (UOIT).
999			_c54768 _d54768