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| 005 | 20250121120915.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aFouché, Nicole _eauthor |
| 245 | 0 | 0 | _aThe Limits of the Expert Knowledge of Jazz in France: La Revue musicale, 1920-1939 |
| 260 | _c2001. | ||
| 500 | _a51 | ||
| 520 | _aAll things considered, one may claim that, during the 1920s and 1930s, La Revue musicale, a serious (and very Parisian) musical publication became aware of the importance of jazz for the French musical elite (made up of connoisseurs, critics and musicians). Well-known professional musical critics —Henry Prunières, André Cœuroy, Arthur Hoerée, Hugues Panassié and others — expressed the view that jazz was indeed a new combination of music, rhythm and life, but they eventually failed in their effort to understand it because of certain cultural barriers : jazz and Negro cultural values, jazz and improvisation. | ||
| 690 | _acriticism | ||
| 690 | _ajazz | ||
| 690 | _a1920-1939 | ||
| 690 | _areception | ||
| 690 | _aFrance | ||
| 786 | 0 | _nRevue française d’études américaines | Special Issue | 5 | 2001-11-01 | p. 38-52 | 0397-7870 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2001-5-page-38?lang=en&redirect-ssocas=7080 |
| 999 |
_c552962 _d552962 |
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