| 000 | 01175cam a2200217 4500500 | ||
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| 005 | 20250121120915.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aGonzalez, Éric _eauthor |
| 245 | 0 | 0 | _aJazz: Modernity, Modernism, Identity |
| 260 | _c2001. | ||
| 500 | _a54 | ||
| 520 | _aSince the 1910s, jazz has been the soundtrack of modernity. In view of the long and rich history of this art form, the aim of this paper is to study the connections between black musics, cultures and identities that critics such as LeRoi Jones, Ralph Ellison and Paul Gilroy have brought to light. Jazz musicians’ multifaceted and plural status in particular provides an interesting synecdoche of the transatlantic transactions which have been the mainspring of western culture. | ||
| 690 | _aafrican-americans | ||
| 690 | _amusicians black | ||
| 690 | _ajazz history and criticism | ||
| 690 | _aintellectual life | ||
| 690 | _amodernism | ||
| 786 | 0 | _nRevue française d’études américaines | Special Issue | 5 | 2001-11-01 | p. 84-96 | 0397-7870 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2001-5-page-84?lang=en&redirect-ssocas=7080 |
| 999 |
_c552965 _d552965 |
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