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| 005 | 20250121122326.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aSechaud, Évelyne _eauthor |
| 245 | 0 | 0 | _aOn the Subject of Marina Papageorgiou’s Contribution |
| 260 | _c2011. | ||
| 500 | _a93 | ||
| 520 | _aConcerning M. Papageorgiou's presentation, it is possible to indicate the importance of the sensoriality that invigorates the mnemic traces and can give access to frozen affects and repressed representations. The auditory and visual sensoriality is realised here through musical and literary cultural objects that constitute a third space shared by the analyst and the patient. | ||
| 690 | _aTransitional cultural space | ||
| 690 | _aAuditory and visual sensoriality | ||
| 690 | _aWork of co-thought in the process | ||
| 786 | 0 | _nRevue française de psychanalyse | 74 | 5 | 2011-02-14 | p. 1547-1550 | 0035-2942 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-revue-francaise-de-psychanalyse-2010-5-page-1547?lang=en&redirect-ssocas=7080 |
| 999 |
_c556623 _d556623 |
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