000			01394cam a2200241 4500500
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041			_afre
042			_adc
100	1	0	_ade Riedmatten, Henri _eauthor
245	0	0	_aNarcissus at the Disturbed Mirror. From Caravaggio to Bill Viola
260			_c2014.
500			_a36
520			_aThe Narcissus myth gives rise to a representational strategy that confronts the person with his or her own image through a medium. It thus becomes paradigmatic of any reflection that involves an individual facing his or her own image in the mirror, and seems to be equally authoritative in considering an individual’s relation to looking at his or her image, represented no longer only in the mirror but also on any other two-dimensional support : the canvas or the screen. This study attempts to elucidate the situations of illusion that structure this founding narrative, in its Ovidian version, and examines their visual reformulation in the works of Caravaggio and Bill Viola.
690			_aNarcissus
690			_amedium
690			_atears
690			_adisturbance
690			_aother
690			_acontemporary art
690			_amirror
786	0		_nRevue française de psychanalyse | 78 | 1 | 2014-03-01 | p. 16-31 | 0035-2942
856	4	1	_uhttps://shs.cairn.info/journal-revue-francaise-de-psychanalyse-2014-1-page-16?lang=en&redirect-ssocas=7080
999			_c557655 _d557655