| 000 | 01167cam a2200229 4500500 | ||
|---|---|---|---|
| 005 | 20250121123211.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aMermier, Bernadette _eauthor |
| 245 | 0 | 0 | _aLooking, filming |
| 260 | _c2019. | ||
| 500 | _a50 | ||
| 520 | _aWhat happens between the person who is filming and the person who is being filmed when it is a matter of restoring as faithfully as possible the truth of a situation which is of an intimate nature? The protagonist exposes his image; with the camera, the film maker/camera operator records it. In this situation where two viewpoints meet, a third, that of the spectator, takes up a position between them. In this transition of the gaze, from “showing oneself” to “seeing”, a reality has taken form. | ||
| 690 | _aFocalisation | ||
| 690 | _aTherapeutic effect | ||
| 690 | _aCatharsis | ||
| 690 | _aMediation | ||
| 690 | _aDocumentary cinema | ||
| 690 | _aMemory | ||
| 786 | 0 | _nRevue française de psychanalyse | 83 | 1 | 2019-02-15 | p. 191-199 | 0035-2942 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-revue-francaise-de-psychanalyse-2019-1-page-191?lang=en&redirect-ssocas=7080 |
| 999 |
_c559156 _d559156 |
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