000			01840cam a2200277 4500500
005			20250121123859.0
041			_afre
042			_adc
100	1	0	_aGivre, Philippe _eauthor
245	0	0	_aPerformative and ideational sublimations in adolescence
260			_c2023.
500			_a27
520			_aSublimation, “the rarest and most perfect” drive vicissitude, tames drive intensity while preserving its psychically vivifying tension. If this gift is not received from the Other, sublimatory solutions grant the subject a “credit of subjectivation”, thanks to the establishment of an imaginary dialogue with his doubles. To achieve this, two sublimatory modalities are likely to be expressed in adolescence: the first, called performative, authorized by artistic activities, gives access to a form of expression that preserves as far as possible the pleasure of doing; the second, called ideational, found in scientific investigation and intellectual activity, is based on the pleasure of thinking. By remaining as close as possible to direct drive activity, artistic sublimation acquires an elective and privileged status in Freud’s eyes, since it favours the possibility of assigning affect to oneself through primary symbolization.
690			_aperformative sublimation/ideational sublimation
690			_adouble
690			_aDavid Bowie
690			_aLeonardo da Vinci
690			_ataming of the drives
690			_aperformative sublimation/ideational sublimation
690			_adouble
690			_aDavid Bowie
690			_aLeonardo da Vinci
690			_ataming of the drives
786	0		_nRevue française de psychanalyse | 87 | 4 | 2023-09-20 | p. 911-921 | 0035-2942
856	4	1	_uhttps://shs.cairn.info/journal-revue-francaise-de-psychanalyse-2023-4-page-911?lang=en&redirect-ssocas=7080
999			_c561496 _d561496