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_aWyler, Stéphanie _eauthor |
245 | 0 | 0 | _aCities and ruins in the Satyrica, from Petronius to Fellini |
260 | _c2020. | ||
500 | _a48 | ||
520 | _aOpposed to the imaginative world of the Epic, Fellini Satyricon (1969) displays the Italian director’s very personal conception of Ancient Rome, which he considered definitively to be a ruin of the past. This film reveals various kinds of settings expressing this idea, on different scales, including the urban scenery. This paper deals with these constructions and deconstructions, with a specific focus on the ruins that might have inspired Fellini: the remains brought to light in the 1960s, as well as the novel of Petronius, the Satiricon: it was the starting point of his work, but also a ruined work that sets out a view of a ruined urban society. | ||
786 | 0 | _nHistoire urbaine | o 58 | 2 | 2020-11-02 | p. 59-80 | 1628-0482 | |
856 | 4 | 1 | _uhttps://shs.cairn.info/journal-histoire-urbaine-2020-2-page-59?lang=en&redirect-ssocas=7080 |
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_c565258 _d565258 |