000			01891cam a2200325 4500500
005			20250121131047.0
041			_afre
042			_adc
100	1	0	_aAterianus-Owanga, Alice _eauthor
245	0	0	_aCommon places of artistic resistance? Comparative analysis of the engagements of mobile African rappers
260			_c2023.
500			_a50
520			_aThis paper analyzes the entanglements between art and engagement in African rap scenes, by exploring the (little-known) question of transnational mobilities that accompany the politicization trajectories of rappers. It draws on the biographies of three rappers (from Gabon, Senegal, and Burkina Faso), who present themselves as “engaged” artists. It uncovers the common influences and modalities of action that these rappers share, while demonstrating that, depending on individual contexts and backgrounds, these common references and influences lead to different types of engagement through music and different experiences of mobility. This examination of the mobilizations of African rappers finally contributes to a broader understanding of the relationship between art and engagement, by shedding light on the tension between national specificities and “translocal” dimension of these art worlds.
690			_atransnational mobilities
690			_aAfrican rap
690			_aBurkina Faso
690			_aart
690			_aengagement
690			_aGabon
690			_aSenegal
690			_atransnational mobilities
690			_aAfrican rap
690			_aBurkina Faso
690			_aart
690			_aengagement
690			_aGabon
690			_aSenegal
786	0		_nRevue internationale de politique comparée | 30 | 2 | 2023-10-23 | p. 39-68 | 1370-0731
856	4	1	_uhttps://shs.cairn.info/journal-revue-internationale-de-politique-comparee-2023-2-page-39?lang=en&redirect-ssocas=7080
999			_c568995 _d568995