| 000 | 01394cam a2200157 4500500 | ||
|---|---|---|---|
| 005 | 20250121132014.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aCamel, Olga _eauthor |
| 245 | 0 | 0 | _aNikolai Gogol, Playwright: Between Ukraine and Russia |
| 260 | _c2010. | ||
| 500 | _a22 | ||
| 520 | _aOf all Russian writers, Gogol certainly was the most attracted by drama: as a playwright, as an inimitable reader of his own works and as a theoretician. Very early on, he was involved in two theatrical trends, literary and popular. From his father, who wrote humorous comedies, he inherited a passion for amateur theatricals, and he starting putting on shows when he was still in high school. His dramatic works include three completed comedies: The Government Inspector ( Revizor), Marriage and Gamblers. With Revizor, he gave Russia its first truly national play. This study also emphasizes a fact which has been neglected by critics. Gogol was interested in history, Ukrainian history in particular, and he wrote a heroic play, The Shaved Moustache, about Zaporozhian Cossacks; he burnt the manuscript, but took up the theme in the second version of his novel Taras Bulba. | ||
| 786 | 0 | _nRevue de littérature comparée | o 331 | 3 | 2010-02-01 | p. 295-307 | 0035-1466 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-revue-de-litterature-comparee-2009-3-page-295?lang=en&redirect-ssocas=7080 |
| 999 |
_c570827 _d570827 |
||