000			02076cam a2200217 4500500
005			20250121132055.0
041			_afre
042			_adc
100	1	0	_aTranié, Ghislain _eauthor
245	0	0	_aAn Example of “Masculine” and “Feminine” in Patronage: The Commissioning Practices of Philippe de Gueldre (1467-1547) and Antoine de Lorraine (1489-1544
260			_c2012.
500			_a88
520			_aAround 1500, the court of the dukes of Lorraine was a space where artistic and cultural trends emanating from Burgundy, Flanders, France, Germany and Italy converged. Ducal patronage encompassed masculine as well as feminine concerns, and two figures held particularly important roles: Philippe of Guelders (1464-1547), duchess of Lorraine and, from 1519, Clarissan religious, and her son Antoine (1489-1544), duke of Lorraine from 1508. The patronage of Philippe of Guelders, both at court and in the convent, sought to legitimate a providentially-empowered principality while conferring a radiant profile on a woman groomed at the courts of France and Burgundy. When examined through a gendered lens, the patronage of the Lorraine can be seen to foster not only the cross-fertilizing of masculine and feminine patronage, but also their differentiation. This article seeks to show how the patronage of Philippe of Guelders, apparently distinct from that of her son, conceals in fact its continuity with that of Duke Antoine. In fact, the patronage of the duke was closely interwoven with that of his mother and, during the 1520s, they together contributed to the political, artistic, cultural and religious transformation of Lorraine, a region then fully engaged in the Renaissance and Reformation movements.
690			_aPhilippe of Guelders
690			_agender relations
690			_aAntoine of Lorraine
690			_adynastic identity
690			_apatronage
786	0		_nLe Moyen Age | Volume CXVII | 3 | 2012-04-14 | p. 531-544 | 0027-2841
856	4	1	_uhttps://shs.cairn.info/journal-le-moyen-age-2011-3-page-531?lang=en&redirect-ssocas=7080
999			_c571088 _d571088