000			01621cam a2200217 4500500
005			20250121132119.0
041			_afre
042			_adc
100	1	0	_aBusby, Keith _eauthor
245	0	0	_aPerformance, Trahison, Espionnage
260			_c2016.
500			_a88
520			_aArticle xv of The Statutes of Kilkenny (1366) prohibits Irish minstrels from performing in English households in Ireland on the grounds that they have been known to act as spies. Although this particular article is rooted in the specific context of late colonial Ireland and English push towards apartheid, the figure of the minstrel-spy is not uncommon in earlier literature in Old French. The role of Johan de Rampaygne in the Anglo-Norman prose romance, Fouke le Fitz Waryn (1325–1340), is examined as an example. Passages from a number of Old French and Occitan texts enable the establishment of a performance repertoire of the late twelfth and early thirteenth centuries. Later sections of this study consider the ways in which scribes, inadvertently or by aspects of mise en texte and mise en page, could betray the authors whose texts they transmit, and in which performers, through voice, gesture, and use of props, could potentially manipulate both the work being performed and its audience.
690			_a Statutes of Kilkenny
690			_aFouke le Fitz Waryn
690			_ascribe
690			_aperformance
690			_aminstrel
786	0		_nLe Moyen Age | Volume CXXI | 3 | 2016-05-23 | p. 663-676 | 0027-2841
856	4	1	_uhttps://shs.cairn.info/journal-le-moyen-age-2015-3-page-663?lang=en&redirect-ssocas=7080
999			_c571197 _d571197