000			01664cam a2200253 4500500
005			20250121132217.0
041			_afre
042			_adc
100	1	0	_aZvonareva, Alina _eauthor
245	0	0	_aThe textual tradition of the Parisian Danse Macabré (1424–1425): Perspectives for a scholarly publication
260			_c2021.
500			_a12
520			_aThe Parisian Danse Macabré (1424–1425), a key work in the spread of the Dance of Death genre, still lacks a publication in a scholarly format. This article focuses on the surviving textual sources: the sixteen extant French manuscripts, the incunabula, and the captioned mural paintings. The Catalan, Italian, and Latin translations and reworkings of this text are also briefly discussed from a textual-critical point of view. Our research focuses on the genealogical relationships between the extant versions, showing that most fifteenth-century manuscripts are directly descended from the archetypal textual tradition, whereas all the incunabula were in some way influenced by the editio princeps (Guyot Marchant, 1485). Analysis of the substantive variants allows us to detect the descripti and to divide the manuscripts into several families.
690			_aDanse Macabré
690			_amanuscript tradition
690			_aGuyot Marchant
690			_ascholarly publication
690			_acritical edition
690			_amanuscript tradition
690			_aGuyot Marchant
690			_aDanse Macabré
786	0		_nLe Moyen Age | Volume CXXVII | 1 | 2021-07-08 | p. 37-58 | 0027-2841
856	4	1	_uhttps://shs.cairn.info/journal-le-moyen-age-2021-1-page-37?lang=en&redirect-ssocas=7080
999			_c571510 _d571510