000			01811cam a2200301 4500500
005			20250121132218.0
041			_afre
042			_adc
100	1	0	_aMassip, Francesc _eauthor
245	0	0	_aDeath on stage: Image, dialogue, and choreography in Catalan representations of the macabre
260			_c2021.
500			_a16
520			_aThe fifteenth and sixteenth centuries witnessed the spread of the macabre genre in the plastic arts, in scenic texts, and in choreography. In this article we analyze the examples that appeared in Catalan culture, from a Triumph of Death that formed part of parades in Barcelona for the royal accession of Ferdinand I (1412), a spectacle that was reused in 1414 to celebrate his coronation in Zaragoza, to the Representació de la Mort, a Majorcan dramatic text from the sixteenth century, and the monumental frescoes painted in the Franciscan convent of Morella depicting the performance of a circular dance with text and music noted below the image. We also review the various forms the macabre dances took in these Catalan examples: a processional line dance that evolved into a closed circular one and finally into a carole. We also examine traditional dances such as the contrapás and the cruciform Procession of Verges dance.
690			_aMiddle Ages
690			_aDances of Death
690			_acontrapàs
690			_acarole
690			_aDanse Macabré
690			_aCrown of Aragon
690			_aMiddle Ages
690			_aDanse Macabré
690			_acontrapàs
690			_aDances of Death
690			_acarole
690			_aCrown of Aragon
786	0		_nLe Moyen Age | Volume CXXVII | 1 | 2021-07-08 | p. 139-161 | 0027-2841
856	4	1	_uhttps://shs.cairn.info/journal-le-moyen-age-2021-1-page-139?lang=en&redirect-ssocas=7080
999			_c571514 _d571514