000			01459cam a2200157 4500500
005			20250121133231.0
041			_afre
042			_adc
100	1	0	_aHeintzen, Jean-François _eauthor
245	0	0	_aSinging about crime in the nineteenth century
260			_c2023.
500			_a71
520			_aThe criminal lament or ballad, given the ease with which, with its excesses and approximations, it can caricature itself, does not figure in many anthologies: it seems it is a “second tier song”, a cheap work for the vulgum pecus. The same goes for news rags, with their macabre xylographs for support, with their street singers in front of their “crime scenes”. Need one neglect such songs for all that, given that they aroused the enthusiasm of the ordinary people, as much those of Paris as of the provinces? Previous work on this topic deserves to be completed and nuanced through the study of provincial producers and publishers of criminal laments and songs, based on sources from the press, the peddlers’ guilds and regulation authorities, the legal deposit, and a multitude of unpublished songs, which enable us to bring light upon the conditions leading to the publication of this modest sung literature, its circulation, and its reception by popular audiences.
786	0		_nRomantisme | o 200 | 2 | 2023-06-15 | p. 20-32 | 0048-8593
856	4	1	_uhttps://shs.cairn.info/journal-romantisme-2023-2-page-20?lang=en&redirect-ssocas=7080
999			_c573998 _d573998