000			01286cam a2200157 4500500
005			20250121133231.0
041			_afre
042			_adc
100	1	0	_aLoisel, Gaëlle _eauthor
245	0	0	_a“Before writing, every people sang”: Thinking about the relationship between poetry, music, and history in the Romantic age
260			_c2023.
500			_a77
520			_aThe collections of popular songs that started to be published in Europe in the 1760s belong to a context of rebellion against classical or neoclassical aesthetics and vindication of national identities. However, they also support a scientific and anthropological reflexion. Far from being seen purely aesthetically, the songs published are seen as documents serving the writing of a history of the peoples of Europe. Hugh Blair, Macpherson’s commentator, and Johann Gottfried von Herder, in particular, develop a philosophy of history and a theory of language putting forward the essentially poetic and musical dimensions of the language of the origins. Their position is the basis or European romantic thinking about popular song.
786	0		_nRomantisme | o 200 | 2 | 2023-06-15 | p. 94-103 | 0048-8593
856	4	1	_uhttps://shs.cairn.info/journal-romantisme-2023-2-page-94?lang=en&redirect-ssocas=7080
999			_c574004 _d574004