000			01719cam a2200205 4500500
005			20250121134351.0
041			_afre
042			_adc
100	1	0	_aMorin-Bompart, Michelle _eauthor
245	0	0	_aDon Juan: His Emulators, Victims, Accusers, and his Creators
260			_c2017.
500			_a27
520			_aThe masterpiece of the Spanish monk is at the origin of the myth of Don Juan. Is he a libertine? Alberto Eiguer has made a remarkable analysis of this inveterate seducer who refuses constraints and cannot become attached because it would mean losing his independence. For Michel Fain, Don Juan and his emulators present a hypersexuality. Thanks to their art of seducing, they fool husbands and make women come as never before. With the tender current repressed, all that subsists is the sexual current towards objects held in low esteem.Three mythical works, Tirso de Molina’s The Trickster of Seville and the Stone Guest; Molière’s Dom Juan or the Feast of Stone; and Don Giovanni or the Rake Punished by Da Ponte (Mozart) will show the differences between the groups of Don Juan’s emulators, their victims and their accusers.There is a link uniting the group of their creators: they are all emulators of Don Juan, fascinated by him, the leader of the horde who kills the father in order to seize power and possess the women.
690			_asexuality compulsive
690			_acreation
690			_aperversion
690			_agroup
786	0		_nRevue de psychothérapie psychanalytique de groupe | o 68 | 1 | 2017-05-03 | p. 221-233 | 0297-1194
856	4	1	_uhttps://shs.cairn.info/journal-revue-de-psychotherapie-psychanalytique-de-groupe-2017-1-page-221?lang=en&redirect-ssocas=7080
999			_c576331 _d576331