000			01336cam a2200205 4500500
005			20250121140659.0
041			_afre
042			_adc
100	1	0	_aRadiszcz, Esteban _eauthor
245	0	0	_aImage Destiny and Derealization of the Object: Dematerialization in Contemporary Art
260			_c2010.
500			_a100
520			_aAccording to Lippard and Masotta, dematerialization has been a central issue in contemporary art since the 1960s. However, it is less a matter of de-objectalization than the production of the objet a by introducing a fissure in the image. This dismissal of the image evokes a dialectic with its own subversion. Consequently, this dematerialization still relies on images, conveyors of an object which, though not representable, still emerges out of images. This paper analyzes three Chilean artists and observes several strategies for conjuring up an anti-image, which lets in an object that, although de-realized, is in fact quite real because it stems from a drive.
690			_aDematerialisation
690			_aContemporary Art
690			_aobject (little)a.
690			_adestiny of images
786	0		_nSavoirs et clinique | o 12 | 1 | 2010-11-10 | p. 167-178 | 1634-3298
856	4	1	_uhttps://shs.cairn.info/journal-savoirs-et-cliniques-2010-1-page-167?lang=en&redirect-ssocas=7080
999			_c581084 _d581084