000			01135cam a2200229 4500500
005			20250121140712.0
041			_afre
042			_adc
100	1	0	_aDamisch, Hubert _eauthor
245	0	0	_aFreud and Signorelli
260			_c2010.
500			_a87
520			_aThis paper attempts to reactivate the process Freud designed in his Psychopathology of Everyday Life, to account for his inability to recall the name of the painter Signorelli, who created the Orvieto frescos. The analysis of residual elements—IO tied to the name BOLTRAFFIO and ELLI which appears in BOTICELLI—summons a game of opposition between I and HE, which finds its resolution in the forgotten surname Signor-ELLI: “He is the Master.”
690			_aaesthetics and psychoanalysis.
690			_aFreud and Art
690			_aoblivion of names
690			_aSignorelli
690			_averbal and visual
690			_aPsychopathology of Everyday Life
786	0		_nSavoirs et clinique | o 12 | 1 | 2010-11-10 | p. 13-37 | 1634-3298
856	4	1	_uhttps://shs.cairn.info/journal-savoirs-et-cliniques-2010-1-page-13?lang=en&redirect-ssocas=7080
999			_c581089 _d581089