000 01371cam a2200205 4500500
005 20250121140735.0
041 _afre
042 _adc
100 1 0 _aGherovici, Patricia
_eauthor
245 0 0 _aFearing Neither God nor Man: Psychoanalysis and Cinema in Argentina
260 _c2014.
500 _a100
520 _aGiven the huge popularity of psychoanalysis in Argentina, one might wonder whether it has not replaced politics. Could psychoanalysis have come to fill the void as politics is reduced to its cultural aspect? Has it also replaced religion? Rejecting these two theses, I argue that psychoanalysis is important because of its foundational link to the Law. To demonstrate this, I discuss two recent Argentine films which allow me to explore the complex relations Argentine culture entertains with the Law. I will suggest that psychoanalysis is popular because it is a symptom of the void of the Law. The films analysed are La Fuga (dir. Eduardo Mignona, 2001) and El Secreto de sus Ojos (dir. Juan Jose Campanella, 2009).
690 _athe Law
690 _astate of exception
690 _astate terrorism
690 _apsychoanalysis in Argentina
786 0 _nSavoirs et clinique | o 17 | 1 | 2014-11-03 | p. 101-107 | 1634-3298
856 4 1 _uhttps://shs.cairn.info/journal-savoirs-et-cliniques-2014-1-page-101?lang=en&redirect-ssocas=7080
999 _c581185
_d581185