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005 | 20250121140940.0 | ||
041 | _afre | ||
042 | _adc | ||
100 | 1 | 0 |
_aMeyer zum Wischen, Michael _eauthor |
245 | 0 | 0 | _aHumbling and melancholy: Acting out and passage to the act in The Humbling by Philip Roth |
260 | _c2022. | ||
500 | _a3 | ||
520 | _aSince a novel is not a patient, Franz Kaltenbeck advises readers not to search for signs of the author’s nor the character’s pathology in literary texts. Likewise, I would like to consider what Roth’s novel The Humbling teaches us about the importance of “acting out” and the passage to the act in melancholia. Roth depicts the decline of a stage actor, Axler, who suddenly loses his capacity to act, perform, and symbolically play out the traumas of his life, in particular his advancing age and vanishing sexual life. After a severe melancholic episode, he develops and acts out a sexual fantasy in order to combat a death drive. However, this attempt to work through one of his symptoms fails, and after a phase of acting out, the character commits suicide. Humbling aims to transform the subject into an objet petit a, the leftover resulting from symbolization. | ||
690 | _aacting out | ||
690 | _aSuicide | ||
690 | _apassage to the act | ||
690 | _aacting out | ||
690 | _aSuicide | ||
690 | _apassage to the act | ||
786 | 0 | _nSavoirs et clinique | o 29 | 2 | 2022-09-28 | p. 46-55 | 1634-3298 | |
856 | 4 | 1 | _uhttps://shs.cairn.info/journal-savoirs-et-cliniques-2021-2-page-46?lang=en&redirect-ssocas=7080 |
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_c581577 _d581577 |