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| 005 | 20250121141454.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aLebas, Frédéric _eauthor |
| 245 | 0 | 0 | _aEssay on Sound: Stage Mechanism and Kinesthetic Area in Electronic Music |
| 260 | _c2005. | ||
| 500 | _a8 | ||
| 520 | _aThis paper considers a contemporary sensitiveness linked to the event of the bodily perception of sound: starting with the plastic properties of electronic music’s sound; deconstructing and reconstructing scenic elements of festive movement from industrial and techno music; tracing the traditions initiated by the “universal artwork” ( Gesamtkunstwerk) the performance, and lastly the work called immersive, we will update the organization of a “kinesthetic space.” The immersed body in this “space event” would test high intensity sensations—a body that we call “without organ,” a reflection of our postmodernism in its quest of exacerbated sensations and interstitial spaces of freedom. | ||
| 690 | _abody | ||
| 690 | _ahaptique | ||
| 690 | _asensation | ||
| 690 | _aelectronic music | ||
| 690 | _akinesthesis | ||
| 786 | 0 | _nSociétés | o 90 | 4 | 2005-11-01 | p. 99-108 | 0765-3697 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-societes-2005-4-page-99?lang=en&redirect-ssocas=7080 |
| 999 |
_c582351 _d582351 |
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