| 000 | 01453cam a2200229 4500500 | ||
|---|---|---|---|
| 005 | 20250121141550.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aSeca, Jean-Marie _eauthor |
| 245 | 0 | 0 | _aThe Thread of the Motto: The Three Dimensions of Authenticity in Underground Popular Music |
| 260 | _c2010. | ||
| 500 | _a62 | ||
| 520 | _aThe economic and legal characteristics of the value of artistic authenticity are reviewed. Artistic authenticity is shown to be a social norm resulting from the expressive needs of minorities. Underground, popular music creators are defined through the study of a device (FIP, or “feasible identification project”) and a more distant positioning in view of the stylistic and musical mainstream. The ability to innovate and the desire to develop an original approach are planned with a strange and irrational capacity to communicate with other device producers. Creators’ intercommunication, device/FIP activation, peer networks creation, and imitation refusal indicate, in a sociological way, the value of authenticity in these kinds of activities. | ||
| 690 | _asocial representations | ||
| 690 | _apopular and electronic music | ||
| 690 | _aauthenticity | ||
| 690 | _aartist | ||
| 690 | _aideology | ||
| 690 | _adevice | ||
| 786 | 0 | _nSociétés | o 104 | 2 | 2010-01-13 | p. 13-26 | 0765-3697 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-societes-2009-2-page-13?lang=en&redirect-ssocas=7080 |
| 999 |
_c582586 _d582586 |
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