000			01312cam a2200205 4500500
005			20250121141550.0
041			_afre
042			_adc
100	1	0	_aRumeau, David _eauthor
245	0	0	_aFor a Musical In-tuition
260			_c2010.
500			_a65
520			_aThe musical explosion we have experienced for about half a century invites us to rethink music as a real tool for knowing and understanding the social. Although it has become a discreet environment due to its omnipresence, like a background noise we hear without listening to, music does not simply content itself with accompanying us: it possesses us and gives rhythm to our lives. Not only does it impose itself as a dynamic of the social order, but it also makes dreams come true by rooting itself in sound and poetical forms. Moreover, it participates in the process of self-creation and -accomplishment. This is because music enables man today to experience love and rebellion, to approach death, and to taste the dizziness and the violence of emotions.
690			_asubversion
690			_arefuge
690			_aexperience
690			_aidentification
786	0		_nSociétés | o 104 | 2 | 2010-01-13 | p. 55-63 | 0765-3697
856	4	1	_uhttps://shs.cairn.info/journal-societes-2009-2-page-55?lang=en&redirect-ssocas=7080
999			_c582589 _d582589