000			01133cam a2200193 4500500
005			20250121143134.0
041			_afre
042			_adc
100	1	0	_aCorbière, Laetitia _eauthor
245	0	0	_aHarry L. Freeman, impresario of the African-American community
260			_c2020.
500			_a29
520			_aAt the beginning of the twentieth century, two conceptions of African-American music coexisted: an essentialist tendency praising popular productions, and a classical one valuing scholarly compositions. The two positions are not necessarily incompatible. For example, Harry L. Freeman (1878–1954) devoted his musical work to the search for an art form capable of expressing African-American identity and “establish[ing] irrefutable proof of the creative achievement of the great Races of the World.”
690			_aidentity
690			_aVoodoo’s cantatrice
690			_aAfrican Americans
786	0		_nSociétés & Représentations | o 49 | 1 | 2020-06-02 | p. 137-150 | 1262-2966
856	4	1	_uhttps://shs.cairn.info/journal-societes-et-representations-2020-1-page-137?lang=en&redirect-ssocas=7080
999			_c586415 _d586415