000			01893cam a2200385 4500500
005			20250121143227.0
041			_afre
042			_adc
100	1	0	_aKovaliv, Gaëlle _eauthor
700	1	0	_a Stucky, Olivier _eauthor
245	0	0	_aThe comic board faced with digital media
260			_c2023.
500			_a31
520			_aThis paper explores the formal renewals resulting from the digital transition of comics by focusing on the way in which digital publication allows us to rethink the notion of the comic board, understood as a central unit of production, perception, and diffusion of the medium in its printed version. In the field of comics studies, the notion of the board is still often confused with the page. However, the characteristics of the screen invite us to reexamine the solidarity between these two notions, whose applicability hardly conforms to the observable manifestations in digital publication. This work will focus on comics existing both in printed form and in plural digital versions: the digitized albums distributed on the Izneo platform, the serial Les autres gens by Thomas Cadène, and the polymorphic work of Lisa Mandel in Une année exemplaire.
690			_aIzneo
690			_aLisa Mandel
690			_apage
690			_adigital publication
690			_adigital transition
690			_aboard
690			_aThomas Cadène
690			_ainterface
690			_acomics
690			_aIzneo
690			_aLisa Mandel
690			_apage
690			_adigital publication
690			_adigital transition
690			_aboard
690			_aThomas Cadène
690			_ainterface
690			_acomics
786	0		_nSociétés & Représentations | o 55 | 1 | 2023-05-11 | p. 147-162 | 1262-2966
856	4	1	_uhttps://shs.cairn.info/journal-societes-et-representations-2023-1-page-147?lang=en&redirect-ssocas=7080
999			_c586626 _d586626