000			01900cam a2200277 4500500
005			20250121143628.0
041			_afre
042			_adc
100	1	0	_aSalles, Claire _eauthor
245	0	0	_aThe role of visual and audio-visual representations for acknowledging the concept of obstetrical violence in France and Belgium
260			_c2022.
500			_a43
520			_aIntroduction: In France and Belgium, since 2013, written and oral testimonies on the Internet, on the radio, in podcasts and in comics have made the notion of obstetrical violence public. Since the summer of 2017, audiovisual representations show the faces of victims and their allies. This media coverage has not yet been studied. Purpose of research: The aim of the study is to describe the formal characteristics and dissemination strategies of audiovisual representations of obstetric violence in France and Belgium. Their place in the history of the media emergence of the concept is described. Results: The result of the study is to qualify as “facing” (envisagement) the showing of faces in audiovisual representations of obstetrical violence. Seeing the faces of victims underlines their legitimacy, which contributes to the recognition of the concept of obstetric violence. Conclusions: The face-to-face testimony to denounce obstetric violence is thus part of the feminist tradition of showing the body in the fight against gender violence.
690			_aface
690			_aobstetric violence
690			_aawareness-raising
690			_afeminism
690			_aaudiovisual
690			_aface
690			_aobstetric violence
690			_aawareness-raising
690			_afeminism
690			_aaudiovisual
786	0		_nSanté Publique | 33 | 5 | 2022-03-11 | p. 655-662 | 0995-3914
856	4	1	_uhttps://shs.cairn.info/journal-sante-publique-2021-5-page-655?lang=en&redirect-ssocas=7080
999			_c587635 _d587635