| 000 | 01288cam a2200277 4500500 | ||
|---|---|---|---|
| 005 | 20250121144503.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aZask, Joëlle _eauthor |
| 245 | 0 | 0 | _aThe representation of animals in contemporary art: what it reveals and what it teaches us |
| 260 | _c2022. | ||
| 500 | _a59 | ||
| 520 | _aThe dominant representations of animals may vary between two poles: at one end are animals that are despised, exploited, objectified, tortured, exterminated, while at the other, there are animals celebrated as if all living species belonged to the same large family. Contemporary art does not always escape this general architecture. However, I suggest a third way, which would be more educational than the other two. | ||
| 690 | _aanimal representation | ||
| 690 | _aecological paradigm | ||
| 690 | _aeducation | ||
| 690 | _acontemporary art | ||
| 690 | _ahuman-animal relationship | ||
| 690 | _aanimal representation | ||
| 690 | _aecological paradigm | ||
| 690 | _aeducation | ||
| 690 | _acontemporary art | ||
| 690 | _ahuman-animal relationship | ||
| 786 | 0 | _nLe Télémaque | o 60 | 2 | 2022-01-14 | p. 137-145 | 1263-588X | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-le-telemaque-2021-2-page-137?lang=en&redirect-ssocas=7080 |
| 999 |
_c589558 _d589558 |
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