000			01447cam a2200217 4500500
005			20250121145858.0
041			_afre
042			_adc
100	1	0	_aCoppola, Antoine _eauthor
245	0	0	_aCinema and Dictatorship in North Korea
260			_c2016.
500			_a51
520			_aInstead of viewing North Korea from the outside in, this article examines what the regime tells its own subjects through film. From the beginning, the relationship between cinema and the dictatorship, with all its spectacular trappings, seemed essential. State cinema, while officially towing the socialist-realist line, also experienced several turning points, such as the release of Flower Girl in 1972. This famous blockbuster from the former Soviet bloc shows the emergence of Kim Jong-Il and Juche, the national North Korean ideology based on the resurgence of long-lost traditions. Behind a facade of de-politicisation, the film’s hybrid form, combining Hollywood-like heroes and stars and Soviet populism, legitimises the politico-religious cult of the new hereditary Kim dynasty.
690			_aNorth-Korea
690			_adictatorship
690			_acinema
690			_aideology
690			_asocialist-realism
786	0		_nVingtième Siècle. Revue d’histoire | o 131 | 3 | 2016-06-07 | p. 151-164 | 0294-1759
856	4	1	_uhttps://shs.cairn.info/journal-vingtieme-siecle-revue-d-histoire-2016-3-page-151?lang=en&redirect-ssocas=7080
999			_c592600 _d592600