| 000 | 00984cam a2200157 4500500 | ||
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| 005 | 20250121153356.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aSarrazac, Jean-Pierre _eauthor |
| 245 | 0 | 0 | _aLa Pièce et l'Épilogue. À propos de Brand, Peer Gynt, John Gabriel Borkman et Quand nous nous r |
| 260 | _c2008. | ||
| 500 | _a6 | ||
| 520 | _aIn the itinerant dramas of the 1860s – that reminds us of the “life’s pilgrimage” in medieval morality plays – or in the search of a concise, purified and static form, the “dramatic epilog”, Ibsen’s dramaturgy is part of an essential dramaturgic mutation : the passage at the end of the 19th century from the “drama in life” to the “drama of life”, that is a drama that summarizes an entire, although wasted life. | ||
| 786 | 0 | _nÉtudes Germaniques | 248 | 4 | 2008-02-10 | p. 861-876 | 0014-2115 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/revue-etudes-germaniques-2007-4-page-861?lang=fr&redirect-ssocas=7080 |
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