000			01484cam a2200229 4500500
005			20250121183528.0
041			_afre
042			_adc
100	1	0	_aLaufer, Laurie _eauthor
245	0	0	_aBurial According to Mallarmé: “A Tomb for Anatole”
260			_c2009.
500			_a82
520			_aIn 1879, Mallarmé is confronted with the absurdity of the death of his son Anatole. In “A Tomb for Anatole,” the poet (who was reduced to silence by the horror of this event and called himself “perfectly dead”) attempts to write poetry about death and disappearance. But how does one write about the agony and the pain over the bereavement of a child, this over-determination of incompleteness? Writing about incompleteness and the impossible mourning seems to be about tracing the boundaries of the hole, the void, and the absence. All writing on mourning, through its very expression, may be seen as the symptom of self-extinction; it is written fragments and fragmented writing which expresses the inexpressible. It appears that in order to write about death, Mallarmé had to be what had disappeared.
690			_adeath
690			_apoet(h)ical act
690			_apoetry
690			_afragment
690			_amourning
690			_aself-effacing
786	0		_nCliniques méditerranéennes | o 80 | 2 | 2009-12-28 | p. 97-110 | 0762-7491
856	4	1	_uhttps://shs.cairn.info/journal-cliniques-mediterraneennes-2009-2-page-97?lang=en&redirect-ssocas=7080
999			_c647372 _d647372