000			01441cam a2200241 4500500
005			20250121190310.0
041			_afre
042			_adc
100	1	0	_aBerrouet, Florian _eauthor
245	0	0	_aThe body’s share: Shamanism and writing
260			_c2015.
500			_a48
520			_aEntering a cave, often deep underground, to leave a trace of one’s passage—from paintings, drawings, and engraving of animals to enigmatic signs and rare, often animal-shaped human figures—is a particular approach that engages the whole body. During the Upper Paleolithic period, this confrontation between the artist and the wall suggests an interpretation that calls upon a shamanism fully infused with the natural forms of the cave, and at the same time an evolution from the old art of “contact” to the more standardized images of the Magdalenian period can be observed. The themes, gestures, and recurring items depicted, at the scale of the representation and in the underground environment, combine to suggest the early phase of a pictorial language.
690			_abody
690			_ashamanism
690			_awriting
690			_agraphic language
690			_acave art
690			_acave
690			_aprehistory
786	0		_nCommunication & langages | o 186 | 4 | 2015-12-01 | p. 5-25 | 0336-1500
856	4	1	_uhttps://shs.cairn.info/journal-communication-et-langages1-2015-4-page-5?lang=en&redirect-ssocas=7080
999			_c654624 _d654624