000 01655cam a2200349 4500500
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041 _afre
042 _adc
100 1 0 _aWellington, Jennifer
_eauthor
700 1 0 _a Patin, Nicolas
_eauthor
700 1 0 _a Heimburger, Franziska
_eauthor
245 0 0 _aCommencements nationaux, passés tragiques : la construction de la mémoire de la Grande Guerre dans l’Empire britannique
260 _c2016.
500 _a85
520 _aAs early as 1917 and then more seriously during the interwar period, museography becomes an important actor in the creation of representations of the First World War. Cultural and national specificities are fundamental to the way institutions and individual actors write about and choose to represent museographically the war experience. We thus show that the nature of the museum exhibit of public memory has less to do with the original event – and here the war itself – and more with the political context of creation. In the Australian case this means the choice of seeing the Great War as a first, founding experience for the young nation.
690 _anation
690 _aRoyaume-Uni
690 _aEmpire
690 _aAustralie
690 _amémoire
690 _aPremière Guerre mondiale
690 _amusée
690 _aEmpire
690 _aBritain
690 _aNation
690 _aMemory
690 _aAustralia
690 _aMuseum
690 _aFirst World War
786 0 _nHistoire@Politique | 28 | 1 | 2016-04-14 | p. 82-96
856 4 1 _uhttps://shs.cairn.info/revue-histoire-politique-2016-1-page-82?lang=fr&redirect-ssocas=7080
999 _c662992
_d662992