000			01550cam a2200241 4500500
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041			_afre
042			_adc
100	1	0	_aCharles, Lise _eauthor
245	0	0	_aSpeaking to the deaf. Metaleptic apostrophes in seventeenth century novels
260			_c2018.
500			_a44
520			_aIf there is such a thing as a transgressive device, it is metalepsis. It allows us to cross the “sacred frontier” between the narrator’s world and that of his characters. It is therefore not surprising that the most frequent examples of metalepses are taken from comic, playful, or experimental literature. But if we study the less-known tragic stories and sentimental novels of the early seventeenth century, we will see another side of the device: in what we may call metaleptic apostrophes, the narrator often addresses his characters in order to warn them about their future misadventures. We can make the assumption that at that time the device was not perceived as a real transgression, because the frontiers between the two worlds were less impervious and the various narrative postures more flexible.
690			_aMetalepsis
690			_aearly seventeenth century novel
690			_aprolepsis
690			_aoracle
690			_adeliberative monologue
690			_anarrator
690			_aapostrophe
786	0		_nDix-septième siècle | o 279 | 2 | 2018-05-03 | p. 329-344 | 0012-4273
856	4	1	_uhttps://shs.cairn.info/journal-dix-septieme-siecle-2018-2-page-329?lang=en&redirect-ssocas=7080
999			_c701431 _d701431