000			01484cam a2200229 4500500
005			20250121213422.0
041			_afre
042			_adc
100	1	0	_aRescia, Laura _eauthor
245	0	0	_aFrom one form of drama to another: Tragedy, tragi-comedy, pastorals, and French opera in Italian studies
260			_c2018.
500			_a61
520			_aStarting from 1990, French Italian studies concerning tragedy, tragi-comedy, pastorals, and opera have both developed the previous generation’s studies of the Baroque era, and opened up new perspectives, taking into consideration dramatic paratexts and their relationships with dramatic texts. The main focus has been placed on the Italian influence and on the reevaluation of “minor” genres and authors, although tragedies, especially works by Racine, have not been forgotten. Comparativism has inspired key research with regard to the circulation, translation, and adaptation of dramatic texts within Romance languages. A significant number of critical editions have been published due to the critical tradition of Italian researchers in the areas of philology and history.
690			_aClassicism
690			_aBaroque
690			_apastoral
690			_aopera
690			_atragi-comedy
690			_aTragedy
786	0		_nDix-septième siècle | o 281 | 4 | 2018-11-05 | p. 599-610 | 0012-4273
856	4	1	_uhttps://shs.cairn.info/journal-dix-septieme-siecle-2018-4-page-599?lang=en&redirect-ssocas=7080
999			_c701446 _d701446