000			01646cam a2200217 4500500
005			20250121213637.0
041			_afre
042			_adc
100	1	0	_aRégnier, Marie-Clémence _eauthor
245	0	0	_aThe “Tour de France,” by classic writers: The residences of seventeenth-century writers in the context of French heritage after 1870
260			_c2020.
500			_a32
520			_aThis paper analyzes how the heritage value of writers’ houses from the seventeenth century, considered to be monuments, played a role in the institutional appreciation of “classic” writers and the “Siècle de Louis XIV” during the nineteenth century. It looks at how their heritage status has participated in the creation of the national myth and the “myth of literary history” based on the French universalist model that has underpinned the nationalization of literature since the seventeenth century. The regional embeddedness of the memory of classic writers such as Corneille, Racine, Molière, and La Fontaine during the nineteenth century explains why museums were founded in their names. It also explains why an ad hoc literature emerged at the end of the century, during the Third Republic, and especially after the defeat of Sedan (1870).
690			_aclassicization
690			_aseventeenth-century literature
690			_a“Siècle de Louis XIV”
690			_aliterary heritage
690			_awriters’ houses
786	0		_nDix-septième siècle | o 287 | 2 | 2020-03-06 | p. 313-333 | 0012-4273
856	4	1	_uhttps://shs.cairn.info/journal-dix-septieme-siecle-2020-2-page-313?lang=en&redirect-ssocas=7080
999			_c702210 _d702210