| 000 | 01269cam a2200265 4500500 | ||
|---|---|---|---|
| 005 | 20250122192127.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aBouchardon, Serge _eauthor |
| 700 | 1 | 0 |
_a Cailleau, Isabelle _eauthor |
| 700 | 1 | 0 |
_a Crozat, Stéphane _eauthor |
| 700 | 1 | 0 |
_a Bachimont, Bruno _eauthor |
| 700 | 1 | 0 |
_a Thibaud, Hulin _eauthor |
| 245 | 0 | 0 | _aExploring Multimedia Writing |
| 260 | _c2012. | ||
| 500 | _a49 | ||
| 520 | _aIn this article, we shall pose the question of multimedia writing and of its specificities. Does multimedia open a new realm of possibilities for writing? Our approach is based on a theory of the Digital which offers a three level model of multimedia writing. We shall use this conceptual approach to analyse the professional editorial practices at the National Audiovisual Institute. | ||
| 690 | _aconceptual approach | ||
| 690 | _athe National Audiovisual Institute | ||
| 690 | _adigital | ||
| 690 | _aINA | ||
| 690 | _amultimedia writing | ||
| 786 | 0 | _nLes Enjeux de l’information et de la communication | 2011 Special Report | 1 | 2012-12-02 | p. 2-2 | 1778-4239 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-les-enjeux-de-l-information-et-de-la-communication-2011-hs3-page-2?lang=en&redirect-ssocas=7080 |
| 999 |
_c715296 _d715296 |
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