000			01891cam a2200289zu 4500
001			88933762
003			FRCYB88933762
005			20250106121043.0
006			m o d
007			cr un
008			250106s2010 fr | o|||||0|0|||eng d
020			_a9780887551901
035			_aFRCYB88933762
040			_aFR-PaCSA _ben _c _erda
100	1		_aHafsteinsson, Sigurjon Baldur
245	0	1	_aIndigenous Screen Cultures in Canada _c['Hafsteinsson, Sigurjon Baldur', 'Bredin, Marian']
264		1	_bUniversity of Manitoba Press _c2010
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aHafsteinsson, Sigurjon Baldur
700	0		_aBredin, Marian
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88933762 _qtext/html _a
520			_aIndigenous media challenges the power of the state, erodes communication monopolies, and illuminates government threats to indigenous cultural, social, economic, and political sovereignty. Its effectiveness in these areas, however, is hampered by government control of broadcast frequencies, licensing, and legal limitations over content and ownership.Indigenous Screen Cultures in Canada explores key questions surrounding the power and suppression of indigenous narrative and representation in contemporary indigenous media. Focussing primarily on the Aboriginal Peoples Television Network, the authors also examine indigenous language broadcasting in radio, television, and film; Aboriginal journalism practices; audience creation within and beyond indigenous communities; the roles of program scheduling and content acquisition policies in the decolonization process; the roles of digital video technologies and co-production agreements in indigenous filmmaking; and the emergence of Aboriginal cyber-communities.
999			_c7778 _d7778