000			01372cam a2200253 4500500
005			20250123145959.0
041			_afre
042			_adc
100	1	0	_aSavinel, Christine _eauthor
245	0	0	_aMichael Palmer : ne pas parler au nom des mots
260			_c2005.
500			_a40
520			_aAfter the theoretical statements of Language Poetry, the return of symbolism or fetishism in the very strategies aiming to defeat them leads Michael Palmer to systematize his ironical use of signature, between the lyrical mode and the materiality of the letter. Dramatizing the limits of writing, Palmer thematizes the versions or erasures of telling or re-writing, turning all names and all words into “names of names” and “words of words.” To choose is to lose: Palmer’s hesitations and errors are his way of “not speaking for the word” while retaining responsibility for the page.
690			_apostmodernisme
690			_aLanguage Poetry
690			_apoésie américaine
690			_aMichael Palmer
690			_apostmodernism
690			_aLanguage Poetry
690			_aamerican poetry
690			_aMichael Palmer
786	0		_nRevue française d’études américaines | 103 | 1 | 2005-02-01 | p. 7-22 | 0397-7870
856	4	1	_uhttps://shs.cairn.info/revue-francaise-d-etudes-americaines-2005-1-page-7?lang=fr&redirect-ssocas=7080
999			_c852977 _d852977