| 000 | 01265cam a2200289 4500500 | ||
|---|---|---|---|
| 005 | 20250123150042.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aGonzalez, Éric _eauthor |
| 245 | 0 | 0 | _a« Cash still rules » : La représentation du succès dans le rap |
| 260 | _c2005. | ||
| 500 | _a53 | ||
| 520 | _aThe aim of this paper is to examine the connections between artistic credibility and commercial success in rap music. Indeed, unlike rock stars, gangsta rappers often highlight their status in the entertainment industry to assert the merit of their productions. The author endeavors to show that the staging of their financial independence is part and parcel of their aesthetic praxis. | ||
| 690 | _areprésentation | ||
| 690 | _asuccès commercial | ||
| 690 | _arap | ||
| 690 | _aindustrie culturelle | ||
| 690 | _acrédibilité | ||
| 690 | _akey-words | ||
| 690 | _acommercial success | ||
| 690 | _acredibility | ||
| 690 | _arap music | ||
| 690 | _aentertainment industry | ||
| 690 | _arepresentation | ||
| 786 | 0 | _nRevue française d’études américaines | 104 | 2 | 2005-06-01 | p. 31-49 | 0397-7870 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/revue-francaise-d-etudes-americaines-2005-2-page-31?lang=fr&redirect-ssocas=7080 |
| 999 |
_c853261 _d853261 |
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