000			01659cam a2200229 4500500
005			20250123154128.0
041			_afre
042			_adc
100	1	0	_aRaynaud, Claudine _eauthor
245	0	0	_a« Caractéristiques de l’expression nègre » : traduire la langue de Zora Neale Hurston
260			_c2023.
500			_a94
520			_aThrough a comparison between the two translations of Their Eyes Were Watching God (1937), Françoise Brodsky’s Une femme noire (Le Castor astral, 1993) and Sika Fakambi’s Mais leurs yeux dardaient sur Dieu (Zulma, 2018), this article aims at assessing how each translator renders the black vernacular of the novel, as well as the opposition between Standard English and the “dialect” which turns the narration into a double-voiced text. An anthropologist and a folklorist, Hurston transposes in her novel the African American Vernacular English (AAVE) which she analyses as a linguist in “Characteristics of Negro Expression” (1934). If, according to Brodsky, the translator must “invent” a language, Fakambi mixes several varieties of languages, keeping at times the original language, to render the text’s aurality/orality, so as to “estrange the French language.”
690			_atraductions françaises
690			_aNeale Hurston
690			_aTheir Eyes Were Watching God
690			_aAAVE
690			_aZora Neale Hurston
690			_acomparaison
786	0		_nRevue française d’études américaines | 174 | 1 | 2023-02-24 | p. 104-121 | 0397-7870
856	4	1	_uhttps://shs.cairn.info/revue-francaise-d-etudes-americaines-2023-1-page-104?lang=fr&redirect-ssocas=7080
999			_c865466 _d865466