000			01420cam a2200169 4500500
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041			_afre
042			_adc
100	1	0	_aMinuz, Andrea _eauthor
700	1	0	_a Di Genio, Lanfranco _eauthor
245	0	0	_a11. Le cinéma italien et la Shoah : un regard sur les quinze dernières années (2001-2015)
260			_c2017.
500			_a68
520			_aItalian cinema and the Holocaust: looking back at the last 15 years (2001-2015)My article analyzes the Italian films and TV fiction about the Holocaust from the last 15 years. By defining the current storytelling topics, models and formats, I will attempt to demonstrate how representations of the Holocaust in visual culture have undergone a radical transformation since the introduction of Italy’s Remembrance Day in 2000. That serves as the basis for comparing works such as Concorrenza sleale (2001, Ettore Scola), Perlasca (2002, Alberto Negrin), La finestra di fronte (2003, Ferzan Özpetek), Il peccato e la vergogna (2010, Luigi Parisi and Alessio Inturri) and This must be the place (2011, Paolo Sorrentino) with a number of characteristic aspects of Italian cinema on the Holocaust that defined the preceding period.
786	0		_nRevue d’Histoire de la Shoah | 206 | 1 | 2017-08-01 | p. 243-256 | 2111-885X
856	4	1	_uhttps://shs.cairn.info/revue-d-histoire-de-la-shoah-2017-1-page-243?lang=fr&redirect-ssocas=7080
999			_c872427 _d872427